Over the course of my career, my creative identity has evolved from someone who crafts experiments in building and color to that of an artist adept at interdisciplinary, multimedia installations. As I have grown as an artist I have not only expanded the media and techniques that I use, but I have also enlarged my audience with an increasing number of exhibits and platforms. I have garnered two significant awards. In 2005, the New York Foundation for the Arts and New York State Council on the Arts supported my exhibition, Linda Jean Fisher: Color From the Inside Out, at Monmouth College in Illinois with funds from the Special Opportunity Stipends Program (January 18, 2005 – February 11, 2005). In 1993, I was one of 35 artists chosen to participate in The Bronx Museum of the Art’s fourteenth Artist in the Marketplace program (November 9, 1993 – February 1, 1994). For this annual program, the Bronx Museum invites emerging New York artists. After completing 12 seminars, I participated in an exhibit with the other AIM program artists, which included publication in the exhibit catalog. In 1988, I received a B.F.A. from the School of Visual Arts in New York, N.Y. after earning an A.A.S. in 1985 from Westchester Community College, Valhalla, N.Y. These experiences taught me how to be alone with my artwork, which enabled me to reach a new level and to work efficiently on Six Million, with its self-imposed deadlines. After I graduated, I was inspired to pursue figure sculpture to increase the mass in my drawings. I enrolled at The New York Academy of Art, New York, from 1988 through 1990, to study figure sculpture with Martine Vaugel and then followed her to the École Albert Defois, Les Cerqueux Sous Passavant, France. Study in France exposed me to new art and gave me the opportunity to see, in person, Théodore Gericault’s Raft of the Medusa and Anne-Louis Girodet de Roucy-Trioson’s The Entombment of Atala, both of which have shaped my vision since I was in high school. There, I learned from the figures whose color and detail had so long drawn me to them.
I continue to apply for grants and fellowships annually, but my numerous exhibitions have been more important for my career narrative and are one of my biggest accomplishments. Exhibitions allow me to speak with others, both artists and non-artists, about my work, something that affects my prose poems especially. My work has been consistently exhibited in solo and group shows in galleries and museums, starting in 1988 with Black & White Drawing Show at Atlantic Gallery in New York, N.Y. (January 5-January 24). Major exhibits include Six Million: Giclées, Videos, and Prose Poems (Hamlet of Harvard Hall, East Branch, N.Y., August 11, 2018 – September 2, 2018); A Different Country (Time & Space Limited, Hudson, N.Y., November 8, 2008 – November 30, 2008); The Color of Loyalty: A Tribute to Dr. J. Robert Oppenheimer (1929 Gallery, USMA West Point, N.Y., January 7, 2007 – February 11, 2007); Order & Chaos: Paintings on Paper (Chappaqua Library Gallery, Chappaqua, N.Y., October 9, 2004 – December 4, 2004); Order & Chaos II: A Painting Installation by Linda Jean Fisher (Maxwell Fine Arts, Peekskill, N.Y.. October 30, 2004 – December 19, 2004); The Birren Experiment (The Hendrick Hudson Free Library, Montrose, N.Y., October 3, 2002 – October 30, 2002); Tell It Like It Is: Art by Linda Jean Fisher and Vernita N’Cognita (The Fine Arts Gallery, Westchester Community College, Valhalla, N.Y. March 6, 1999 – March 27, 1999); and Constructivists (Center Galleries, Center for Creative Studies, Detroit, Mich., September 13, 1996 – October 25, 1996); as well as approximately 50 smaller ones. In addition, my pieces have been acquired for civic, corporate, and private collections, including the Department of Physics, United States Military Academy, West Point, N.Y.; The Hendrick Hudson Free Library, Montrose, N.Y.; and Pfizer’s permanent collection at the Doral Arrowwood Education Center in Rye Brook, N.Y. Since its inception in 1997, I have also participated in the City of Peekskill’s Annual open studios event every June.
I have been at work gaining a wider audience for my prose poetry. I read my prose poems during the opening reception for Collaborative Concepts’ Farm Project 2015 at Saunders’ Farm, Garrison, N.Y. (September 5, 2015). I also performed three readings at the Hamlet of Harvard Hall, East Branch, N.Y. (August 11, August 24, and September 2, 2018) for my exhibition Six Million: Giclées, Videos, and Prose Poems. Since 2014, I have read my prose poems for the tour groups who visit my studio during the City of Peekskill’s annual open studios. Now, with the help of a class on Instagram agility this summer, I am in the process of enhancing my visibility on Instagram (@lindajeanfisher) and YouTube (https://www.youtube.com/channel/UCtk4Nc7xj3XVePEq79FScUw).
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I will find the means to continue my art for the rest of my life; that is my primary goal. My art is my identity. Currently, I am a personal trainer and part of my time also includes caring for my three-year-old daughter and my beloved elderly mother. These are not part of my career as an artist, but they are part of my biography. I would be remiss not to include them, as they influence who I am as an artist and, therefore, what I produce. Just as the different media of my art intertwine with each other, affecting one another, so too my life with my art. But my art remains my primary career; it drives and sustains me.